Showing posts with label performance. Show all posts
Showing posts with label performance. Show all posts

Thursday, December 3, 2020

Tanya Thomas/ Ten Nebula Past Arts Project


 

Hello Beautiful People,



I am creating "My Past Arts Project" so I can connect with people and places that have pictures, videos, or flyers from past events, performances, shows, etc. that I was a part of and participated in.
- picture
- video
- flyer
- media

I have been a model, singer, actress, and dancer at numerous venues in New York City and around the States.

Feel free to contact me by email to share your photos and videos with me.
If you are a:
- photographer
- artist
- singer
- poet
- business owner
- dancer
- writer
- etc.

 
I will be sure to give the proper person photo or video credit.


Email: Tennebula@gmail.com



Thank you and Bright Blessings,
Ten Nebula





Wednesday, July 11, 2018

East is a Circle, smudge studio 002018



What does it take for two artists|humans to continuously sense and attune to the spin of their Planet? What creative, spiritual, philosophical and material consequences might result from living this awareness?


As artists living the Anthropocene, we are increasingly curious about what happens when we attempt to hold the thought of, pay close attention to, and track Earth-magnitude change as it plays out on local, daily-life scales.  To explore that question, we are reshaping everyday actions and developing and honing new capacities of perception and attention at scales that are beyond our usual habits of mind.


East is a Circle is an experimental practice exploring what it takes for humans to rescale our daily live practices and ways of knowing to the current and evolving parameters of life on Earth. As conventional languages of “sunset,” “sunrise” and “east” begin to change meaning for us as a result of our performative research, we will change the stories we tell of them. As we multiply our perspectives on Earth in creative response to its ceaseless changes in direction, we will cultivate  ways of "knowing" and "seeing" ourselves in relation to the planet that are, likewise, in-motion. Making such shifts in scale, language/concepts/meanings, and perspectives is one way that aesthetic practice might address, and live, the Anthropocene.   


About 

smudge studio is a collaboration between Elizabeth Ellsworth and Jamie Kruse

Since 2005, smudge studio has pursued what we take to be our most urgent and meaningful task as artists and humans: to invent and enact practices capable of acknowledging and living in responsive relationship to forces of change that make the world. Through our current projects and performative research, we design and cultivate embodied practices that support humans in paying nuanced attention to the fast and intense material realities that are now emerging on a planetary scale — without leaving us reeling in states of distraction or despair. 

http://smudgestudio.org/


Friday, January 26, 2018

Check out an excerpt from Hanne Tierney's play "Man, the Flower of All Flesh" (2005)


Excerpt from Hanne Tierney's play "Man, the Flower of All Flesh"
Held at Five Myles Gallery in 2005

Singer - Ten Nebula






In a review of this performance the New York Times the art critic Holland Cotter wrote: "Hanne Tierney calls it a theater without actors. I would also call it sculpture, installation art, sound art, dance and an act of magic." - Based on E.M Forster's story The Machine Stops, written in 1909, this work elaborates on the modern dread of the take-over by machines. The story centers around the woman Vashti and her son, who live in a claustrophobic underground society, run by The Machine, a tyrannical, communal brain. Slowly their fear, that the Machine will stop some day becomes real, and their environment begins to fall apart and eventually destroys itself. In this performance the story then returns to the beginning, a witty take on evolution, whereby the movements of plumbing pipes turn into the gestures of homo sapiens.

The artist Matt Freedman provides the prologue with a performance of his fascinating lightning sketches, a kind of fast-moving story-board technique with origins in 19th century fairground entertainment, that often doubled as an early form of news casting.

With Hanne Tierney with Jane Wang, Tanya Thomas, Matt Freedman, Trevor Brown




Also view by visiting the link





NY Times -Art in Review; 'Man, the Flower of All Flesh'









Five Myles Gallery
558 St. John's Place
Brooklyn, NY